Photo: "Press Play" Tyler.World Art Exhibition, Pyla, France Sept 2021
Photo: "Press Play" Tyler.World Art Exhibition, Pyla, France Sept 2021

Narratives and contemplation

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Goddess dynamics sculpture
Goddess dynamics sculpture

Sculpture trail walk, SW France

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An Interfaith Arts and Video Dialogue Project Proposal
Creating New Spaces For Contemplation, Narrative, Sensemaking and Social Action

The Social Imperative Of Inquiry, Expression And Connection Of The "Interiority" Of Our Modern Lives: 
Technology or continual economic growth can't address our exponentially critical social challenges. This proposal is based on a vision that the Arts can offer a unique entry point for our Social Cultures, Faith Traditions and Sciences to evolve together and include the "interiority" of our lives - and trigger our imagination for new cross cultural social contracts to flourish.

world religions map.webp

84% of the world's  population is religious...

Our social cooperation hopes, in the face of challenges such as climate change and inequality, have to take this into consideration  

A comprehensive demographic study of more than 230 countries and territories conducted by the Pew Research Center's Forum on Religion & Public Life estimates that there are 5.8 billion religiously affiliated adults and children around the globe, representing 84% of the 2010 world population of 6.9 billion.
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Montage by Tyler.World with elements from pxfuel (photo-opkdp) 2021

Partial overview of faith symboles (Islam, Hinduism, Sikhism, Taoism, Judaism, Christianity, Ayyavazhi, Wiccan (goddess)



This proposal leverages the recent art and video experiments by Tyler.World (John Oliver), to create an innovative integration of symbol, image, narrative and dialogue to evoke both the spiritual dimension of our current socio-economic and environmental challenges, and also the opportunity for intercultural and interfaith dialogue. 

With a passion for bringing philosophy into action, the project seeks to demonstrate how the three primordial perspectives of the arts, sciences and religions (or Kantian Good, True and Beautiful), can be brought together.  

The proposal presents four key activities:

  1. Intercultural/Interreligious art collaborations to create sculpture installations in places of worship/faith traditions

    • First installation of 15-20 sculptures in SW France church location identified.​

  2. Filming 20-30 video portraits across the faith traditions, based on an innovative intimate 'witnessing' approach (ref. John Oliver's video platform)

  3. Creation of an interactive video portal, based on previous narratives sensemaking projects

  4. Outreach and dialogue across institutions

The total fundraising target is €66k, with a budget detailed below.


Introduction and Background

This proposal is inspired by a conviction that our social challenges from the environment to inequality, will require new ways of living together and significant shifts in how we understand our world, invite dialogue and make choices.

My 30 years of professional experience has included research and employment in the alternative economics movement (including working for 4 years for the charity set up by E F Schumacher, author of Small is Beautiful), diverse schools of philosophy (including Integral Theory, meeting Ken Wilber in 2008 for his input into a book project) and social complexity sciences (partnering with Dave Snowden for a series of corporate projects, author of the Cynefin Framework, among the most internationally cited complexity sciences frameworks), 

Integrating these experiences and inspirations, I have felt a powerful draw to develop my artistic / creative practice, with a manifesto that draws on how art evolves across the generations (including as a collective practice) and can be a key force for demonstrating how aesthetics can federate a fragmented society.

We are an evolving species, and the evolutionary purpose of art is one of abstraction, narrative and sensemaking.

Art however is on its own journey and has its extremes (from the nihilistic, to the transgressive, to commercial artifice), and needs to evolve in working more consciously in collaboration with the sciences and religious traditions.


I am seeking therefore to situate myself as a 'complexity' artist, following an explicitly "conceptual-art" practice - in applying complexity principles a hermeneutic arc can be made from art's process of abstraction to the realms of science and religion, where exploration, sensemaking, codification and dialogue can flourish.    

Both Universalities And Differences - Convergent and Divergent

This art installation project is inspired by schools of thought such as perennial wisdom / traditionalism - observing the possible connections across religious and wisdom traditions. One example narratives map comes from Huston Smith's hierarchies of consciousness across inner and outer realms of reality - as detailed in the Philosophical Research section.

There is an essential tension between the polarities of universalities vs. differences that this project seeks to hold, and propose that such a tension can be a generative one.


Observing common patterns from the curation of the symbols, images and narratives from the spectrum of world religions and wisdom traditions (e.g. a type of empirical convergence) is not intended to unify, collapse or devalue their differences (e.g. unique aesthetics and divergences) - quite the contrary.

In triangulating across the arts, sciences and religions (The Beautiful, The True and The Good), this proposal seeks a path to celebrating our differences and discover new capacities to hold the tensions and dialogue between them, 

The gift of the creative arts is its invitation to the power of our collective contemplation and imagination, an essential ingredient for creating new better futures for society.


Goals of the Art Installation and Video Project

The outputs of this art installation project will be threefold;

  • SCULPTURES: 15 - 20 sculpture installations in the grounds of the Chapel Saint Esprit, Pyla (Gironde, South West France),

    • Following the initial installation, partner art sculpture installations of this first collection are to be proposed to:

      • Diverse faith tradition places of worship in Europe

      • Secular prayer locations, across airports, hospitals, universities and community/public locations.​

    • Collaborations with local and representative artists will be sought at each partner location​

  • VIDEO NARRATIVES: A video / documentary platform based on portraits / narratives across faith and wisdom traditions. 

    • 20 to 30 video portraits / narratives that relate to the borders between the creative experience and the faith traditions ​

  • DISCOURCE / SENSEMAKING PORTAL: A digital reflection portal, that guides visitors through a virtual vist of the art works and an interpretation / reflection process.

    • Curation of a portal for exploring and CONNECTING the video narratives

    • Capturing and mapping visitors' responses as narratives will create a rich resource for collective sensemaking and dialogue.


  • OUTREACH CAMPAIGN: Through international bodies and associations working on similar themes of integrating religion, science and art (academics, universities, think tanks, charities, art galleries)

Guiding Principles, Vision and Values​

  • The project seeks to establish new connections across geographies, ethnographies and technologies

  • Its founding principles are in the celebration of our traditions and heritage from all corners of the world, and an invitation of inquiry and dialogue versus the espousing of any one belief system, doctrine or creed. 

  • The project seeks to hold the paradoxes of through celebrating our differences, we may discover a common ground of social flourishing; through celebrating our traditions, we may open the imagination for consciously designed futures. 

1st Planned Art Installation Location: Chapel Saint Esprit, Pyla, Gironde, SW France - discussions have started for collaboration in hosting the art installation

Mihrab of the Şakirin Mosque Üsküdar Istanbul Turkey.jpg

Twin or Installations: diverse faith tradition places of worship are being approached for the art works installation "twin" locations, in collaboration with local artists 


Including approaching secular prayer room locations, for example at airports, universities and hospitals.


Art Works

The creation of the art works / sculptures for this installation is planned to start in March 2022, as a unique series dedicated to this particular site. The works will be for sale with a share of the profits going to a renovation fund for the church.

The art works willl draw on the experience of the creation of 20+ sculptures for a forest art walk that I created during 2021, An introduction and virtual visit can be seen here, with an interpretation and reflections guide book that can be downloaded here (currently in French).

The forest art walk has as its core purpose the facilitation of group visits, and collective interpretation, signification and dialogue processes.


Thematic References: Wood panel collage by John Olver (work has been sold to a private collector) - themes of evolution, time horizons and circularity that are central to my art practice's exploration of the Arts, Sciences and Religions..  

Creating and Curating an Experience

Abstractions expressing the deep structures of the human experience should be lived or experienced rather than analysed intellectually (quote from the French-American polymath Dane Rudhyar (1895-1985) who was close to the theosophical movement and part of the Transcendental Painting Group in New Mexico.

In this spirit, the focus is in creating a carefully curated space that combine both artefact (the art works), video and movement (immersive):

  • Artefacts

    • Paintings and sulpture - Across themes of evolution, portraits and sacred geometry and abstract forms 

  • Video

    • Multimedia screens / QR codes to video narratives landscapes from the library - see the Video section below

  • Movement​

    • Walking - Paths between polarities layed out across the ground of exhibition space, 

    • Immersive furniture - Inviting people to sit down and take the time for contemplation

All of the above designed with an element of play and discovery, in the experience of entering the exposition.​


Video Narratives - Connection Through Intimacy

Building on John Oliver's work with the video portrait portal:

Narratives are an essential dimension to how we observe, make sense and choose to act in the world. The practice of gathering, interpreting, signifying and leveraging narratives not only has its roots in centuries of anthropological and sociological research, but is now being broadened into contemporary applications in organisational studies and economic analysis (ref. Robert Schiller and his latest publication "Narrative Economics" 2019).

Video Narratives Proposal:

  • Curating narratives across faith traditions and diverse cultural backgrounds.

  • Initial concept focus of filming artists from as many religious traditions is currently in progress with 20+ films.

Making Sense of the Perennial Wisdom Map Through An Interactive Video Narratives Platform

  • Below is an image of a mock-up of one example of how we can spatially navigate video narratives, thanks to 'Sensemaking' maps. 

    • Building on my experience in text-based Sensemaking narratives maps, that have been developed and deployed for multi-national corporates by John Oliver in his organisational development consulting roles. ​

  • The maps provide a rich and powerful lens in terms of how we can signify the narratives.

  • The choice of signifiers and their combinations are themselves major topics of anthropological and philosophical inquiry, and their development will be a key part of the project. 

  • An interactive video map would be a unique software development, creating innovative value that complements the narratives initiatives of pioneers such as French artist JR (collaboration with Time Magazine and US prisons), Yann Artus Bertrand (narrative films "Human") and Brandon Stanton's "Humans of New York", as described in detail here.

    • ​​Current Project Methodology Inquiry: Is it possible to evoke the various points on the Perennial Wisdom Map from Huston Smith, through narratives, and especially those of artists/creatives across each of these traditions?

Perennial Wisdom Video Narratives Landscape.png

Mockup of video narratives portal: The narratives are signified according to multiple dimensions of interpretation and navigation

Integrating Rich Media (Video Narratives) and Sensemaking

 The project proposal is to combine the potential of rich media with important anthropological and narrative sensemaking principles - from the school of complexity, sensemaking offers a powerful approach to exploring qualitative data from authentic and unique narratives.. 

In parallel, the opportunity that video narratives provide through the depth of transmission and connection is an essential component to this project, increasing the potential of engagement with audiences and potential impact. 

The video narratives are being filmed using an intimate 'witnessing' approach (I trained in 2019 with Nick Askew and his 'Soul Biography' approach). 

The positioning of this project builds on leading examples of narratives landscapes by artists and activists around the world, as listed here:

Progress So Far in Gathering Video Narratives​

20+ Video narratives so far

Since 2019 I have been filming principally artists, with a library of over 20 portraits. The feedback from the film subjects is that "witnessing" approach is racially different to any interview or filming that they've done before. Below are some examples from my website.

East Forest Play Thumbnail.jpg

From Intimate Video "Witnessing" Narratives To Constructive Dialogue

An exciting discourse in social development is how broad dialogue across diverse cultures, traditions and roles, can arise from connecting our deep interior narratives. Important voices include authors such as Bill Isaacs (Dialogue and the Art of Thinking Together; 1999 and the scientist David Bohm (On Dialogue, 1996).


But their visions have not yet been associated to the potential of larger scale rich media content, heralding a new interpretation as to what "social media" can become.

The potential to connect our intimate narratives presents, not only allows for people to appreciate our universal human values, but also to hold and appreciate the diversity of those that may hold views that are very different to ours.​

The video narratives library and the video sensemaking portal in this proposal present concrete advances in these visions for the future of a truly cross-cultural, cross-faith self inquiry, reflection and dialogue. 

Rethinking social media

Lastly, there is an opportunity for us to think of this rich video narrative content to represent a pivoting of the values embedded in our current social media to their constructive opposites:

  1. from Disposability to Timelessness 

  2. from Compression to Deepening 

  3. from Curation to Creation

  4. from Self-Promotion to Self-Awareness

The above are inspired from Jonathan Harris' elements of the future social media - see the landscapes and dialogue page from here.


The Value of Meta Analysis and Signification of the Video Narratives

Revealing Patterns - Making Sense of the Whole


The spectacular advancements in our modern society have brought about increasing specialisation and by consequence fragmentation. An irony is that we are hyper-connected in this always-on, anywhere, instantaneous social media defined era, yet isolated in the highly segmented structures of our socio-economic strata and large scale optimised institutions and organisations.

Making sense of the "whole" becomes more and more challenging. We are increasingly subject to disguised influences from commercially driven forces that while consciously challenge national and international legal controls, seek to steer our behaviours at deeper and deeper levels through algorithm-optimised content curation. How do we reclaim our independent critical faculties, and see the greater picture across the socio-economic-political and faith domains? 

Multi-disciplinary roles in our societies that can help us on the larger meaning map making are still a tiny minority, and face the challenge that one PhD candidate friend in the US heard from university supervisors "you can't get a doctorate qualification as a multi-disciplinary / integrative / synthesis student, since there is no faculty able to judge your work".


The complexity of our social contexts can be overwhelming, only to increase when adding the different language and worldviews between the realms of the arts, sciences and religion.

The artistic lens is all about higher levels of abstraction in order to identify patterns - this sensing of the whole, and integration of the arts, sciences and faith traditions was at the heart of William Irwin Thompson's vision at the Lindisfarne Association.

Moiré Patterns:

Emerging from integrating multiple perspectives. This project's goal is to explore such patterns from the video narratives.

To that end, the project includes a meta-analysis and signification of the video narratives, in order to offer the opportunity to identify new patterns. Following important sensemaking principles, the signification process importantly will be lead by the narrative subjects themselves.

As evoked by the cultural historian and visionary William Irwin Thompson, by integrating dialogues across the arts, sciences and religions, we have a unique opportunity to identify Moiré type patterns emerging, and invite a new level of understanding and consciousness for choices in our society.

​The Architectural Research Question

The creation of spaces for contemplation and Interfaith dialogue by definition will draw on the socio-architectural perspective. A directly relevant study of the future of multifaith spaces has been addressed in the Liverpool School of Architecture paper by Andrew Crompton (2013) with the provocative title: "The architecture of multifaith spaces: God leaves the building,"   The Journal of Architecture, 18:4, 474-496, DOI: 10.1080/13602365.2013.821149

Key quotes:

  • There are often at least six of traditions represented in multifaith worship locations: Christianity; Islam; Judaism; Hinduism; Sikhism; Buddhism

    • more often nine: adding Jainism; Baha’I; Zoroastrianism. From time to time Taoism and Shinto appear, as do Native American religions; Pagans; Druids; Adventists; Humanists—not to mention people of no faith who are sometimes represented by a blank space

  • These universal interfaces with God are not, as one might have thought, a sublime expression of a deep unity of which individual religions are merelya particular expression. Here is a building problem for which architects seem to have no answer. Are these blank white rooms even architecture at all?

    • Why is it so difficult to transcend different faiths and create places that are sacred for all?

Multifaith Contemplation Rooms in Art Galleries Today - sparseness and void

Below are images taken of the Tate Britain and Tate Modern (both in London, UK) interfaith and contemplative rooms, in 2022.

An Art Gallery Experience Inspired by The "Temple' That Hilma Af Kliny Imagined


Art's Spiritual Significance Translating To A Gallery As Temple

The fascinating synchronicities around Hilma af Klint's record-breaking exhibition at the NY Guggenheim (Oct 2018 to April 2019):

  • An instrumental figure in the founding of the Guggenheim Foundation and Museum, Hilla Rebay, having a deep background in perennial philosophy /  theosophical thought

  • She envisioned of a “museum-temple,” where viewers could commune with abstract art.

  • Hilla Rebay and Solomon Guggenheim's commissioning in 1943 of Frank Lloyd Wright to create an innovative design with open plan and ramp spiraling toward the light serve as a physical manifestation of the utopian ideals of nonobjectivity. 

  • af Kilnt used the image of the spiral to denote progress or appropriate that her first major exhibition should be in such a temple like space speaking directly to development.


Sacred Art Space as Echoed From the Rothko Chapel to Alex Grey's Chapel of Sacred Mirrors to Theaster Gates' Bristol UK Sanctum​

Confirmed advisors for the project are the following researchers, artists, academics


Budget and Fundraising
The project is structured in three project phases: 

  • Phase I - Sculptures Installation in SW France

  • Phase II - Narratives filming and editing (with 20+ interfaith video narratives) 

  • Phase III - Digital sensemaking portal - narratives, interpretation and dialogue

The initial phase for the creation of the sculptures is €6,000, with Phases II (video narratives) and III (digital sensemaking portal) detailed below

Detailed Budget

Below is an outline budget of the key art work and video creation processes, plus the communication/outreach and support/advisory resources. The total estimated budget for all three phases is €33,000 over 18 months.

Phase I (Sculptures) = €12,000

  • Shared workshop and studio space (4 months) = €4,000 

  • Time and materials (woods, paints, consumables) = €6,000 (Note #1)

  • Support and advisory - €2,000

Phase II (Video Narratives) - €28,000​

  • Video work (travel for filming) = €8,000 (Note #1)

  • Video editing = €16,000 ((Note #2)

  • Communications, website hosting and outrreach - €4,000 (Note #1)


Phase III (Digital Sensemaking Portal) - €26,000

  • Portal design = €4,000 

  • Development Time = €8,000 (Note #1)

  • Video analysis, signification, integration  = €4,000 (Note #1)

  • Video language processing and subtitles = €4,000 ((Note #2)

  • Communications and outreach - €4,000 (Note #1)

  • Support and advisory - €2,000

#1 Includes covering the artists time

#2 Based on using freelance software developers previously used in corporate client work


Total fundraising target of €66,000

A more detailed budget is available on request.

Return To Sponsors

Sponsors' Catalogue, News Channel and Acknowledgement

All sponsors will receive:

  • Personal newsletter with access to video blog reporting channel, behind the scenes during the development process each 3 months.

  • Sponsor acknowldegement plaque displayed at the exposition

  • Signed eposition catalogue


For Sponsor Contributions Minimum €1,500

John Oliver Profile and Journey

My art and film practice is relatively new, dedicating myself fulltime from 2019 - but the seeds go back over 15 years, from the point of view of both a practical practice (working with my hands) and philosophical foundation,

My 30 years of professional life enriched me with such contrasts as working in both corporates, charities and then self-employed (for 10 years), and working internationally (degree studies integrated with an aerospace management development programme in the UK, then employment in France, Germany, Nepal, Ghana, the USA and 18 months living in Italy).

In terms of the evolution of my work experience, I started in technology (from aerospace to satellite communications) to then commercial strategy and most recently as a co-founder of a organisational development consulting brand Human-Equity (2009-2019).

In organisational development, I revelled in the deep dive and personal challenge (in changing my mental models), working with leadership psychology, organisational culture and complex social systems change, that also led to a university lecturing position (in Toulouse, France). Working with narratives was a connecting thread through many diverse projects on the consulting journey with Human-Equity.

The desire to seek new experiences and learnings along the way presented its challenges and struggles, but now holds a strong coherence as I make this distinct pivot to an identity as an artist.

This proposal draws on all my experiences and passion for how the arts can engage practically. The anthropological lens in working with narratives has been a major influence (including academics such as Tim Ingold, connecting the principles of anthropology with the arts), where a conviction that the sciences, arts and faith traditions can be seen as a whole has become a defining frame for my next chapter.

For an overview of my professional experience, please see my LinkedIn Profile:

  • LinkedIn

The 15 Year Itch - Art as my central practice

This art project has undergone a number of evolutions in its conceptual form, whilst maintaining the foundational vision of bringing to life an art project that embraces crucial philosophical and sacred themes for our society.

Originally called "Philosophy in the Flesh", my idea was to bring together 10 philosophers, who would describe their ideal work of art - as if they had carte blanche as an artist themselves, whatever the media. I would then bring 10 established artists together for the realisation of those works. 


I've brought the scope now to the more immediately accessible approach of working from published key philosophical works, and that I take on the practical realisation of the art/film work.

The chosen conceptual cornerstone is the Perennial Wisdom map by Huston Smith, charting how the major religious and wisdom tradition share the same underlying structures of both interior (individual) and external (nature) worlds.

The seeds for the idea came from discovering the writings of Ken Wilber in 2003, the contrasts in my family's spirituality (deeply catholic mother, atheistic father (with interests in literature and philosophy) and an ordained Buddhist darmachari brother), and my professional work in organisational development (working with developmental psychology and complexity sciences).

Examples of Explorations in Sculpture To Date - New, Unique and Collaborative Works Will Be Developed For This Project At Each Location

Art Work Refereces: Sample of previous sculpture creations by John Oliver (part of a collection of 20+ installations for a forest art walk in SW France)

My Journey in Developmental Psychology, Organisational Development, Social Systems Complexity and Narratives

Having focused heavily on the sciences in my education, a revelation during my engineering studies at university in the UK was reading E F Schumacher's "Small is Beautiful". A fascination of the crossroads of developmental economics, ecology and social justice/equality triggered my organising a conference at the university on climate change (in 1991) with the participation of a leading UK media figure, and leaving the aeronautical sector I was bound for (after 2 years of accelerated management training), to join the overseas developmental charity that E F Schumacher had founded.  

4 years at the charity with projects in Ghana and Nepal however brought me face-to-face with the realities of social change, especially in the context of contrasting cultural value frameworks (e.g. our definition in the West of the "Good Life", development or social progress can't be projected onto other cultures without inherent biases).

I therefore returned to a mainstream career path in industry, working in France and the USA, to go onto completing an MBA in 2001. Whilst working in a Start-Up for 4 years, I continued a track of research started at the MBA into a variety of company turnaround case studies, that emphasised self-organisation and democratic principles. My differentiation was intended to be in the longitudinal nature of the case study interviews, which however revealed that my idealistic initial hypothesis of the universal 'good' of democratic principles in organisations, as being highly flawed.


The language and frameworks however of Ken Wilber's Integral Theory provided a powerful approach to interpreting the complexity, tensions and contradictions in my case study research findings. In 2008 I went to visit Ken Wilber in Denver to discuss my book project using the developmental lens (5 years before a very similar case study book by Frederick Laloux, "Reinventing Organisations"). It was apparent to me that although I could explore lots of fascinating angles with the Integral Theory lens (All Quadrants, Levels, Lines, States and Types), my book project didn't have a convincing hypothesis or robust approach to the research data validity claims (interviews with visionary turn-around CEOs were more prone to propaganda and biases in contrast to the social research vigour I was trying to aim for). 


I summarised the research on the "" website, and moved onto to 'being in action' with regards actually working hands-on with organisations in organisational development and business psychology, founding the boutique consulting company Human-Equity Ltd in 2009.

It was during this time that I qualified as a coach using the Post-Piagetian developmental psychology tool from Lectica USA, based on very robust metrics on how adults' cognitive capacities can develop (for whom Wilber was an advisor, and built on extensive academic research from amongst others Kurt Fischer's Dynamic Skill Theory, from the Harvard Graduate School of Education). 

The journey as a consultant with Human-Equity Ltd was full of deep learning and often times painful lessons in engaging with clients on complex topics, whilst ensuring the commercial viability of the offer. However, it did lead to an incredibly rich intellectual journey in collaborating with thought leaders in complexity sciences for client work.

In particular, and in distinct complement to Integral Theory, was applying Sensemaking principles for change projects, leveraging narratives and anticipating agents' biases. I was delighted to be bringing anthropological and sociological insights to our practices, and challenging the dominant 'engineering' mindset to organisational management.


What became clear however, was in all of my organisational development work I saw dangers in how supposed deeper understanding of employee behaviour and psychology, under the guise of 'making the workplace more humanistic' could lead to greater encroachment of the organisation in "designing" the employee experience for the ultimate its commercial ends.

There seemed to be often a conflation of 'aesthetic' choices for the human experience in organisations that were only justifiable if they improved 'performance'. 

The Role of Aesthetics

Although a very robust cognitive sciences tool and metric, my experience with Lectica revealed first hand the limitations of the cognitive development dimension (people can reflect in very high-order complex ways about morally corrupt concepts).


More broader 'ego-development' tools (for example Bill Torbert's Leadership Development Framework, Susan Cook-Greuter's extension of Jane Loevinger's research) do seem to incorporate a more integrated whole-person measure (see last section* here, evoking the higher stages of ego and notions of greater breadth/depth of consciouness, towards descriptions that resonate with many writings on spirituality), but still, the aesthetic dimension appears little explored.

Hence my conviction of the opportunity to complement this field of the human potential movement, with a deeper exploration of spirituality and the arts.

*Footote to the reference to Jane Loevinger above:

The ego development map proposed by developmental psychologist Jane Loevinger (1918-2008) conceptualizes a theory based on Erik Erikson's psychosocial model and the works of Harry Stack Sullivan (1892-1949) in which "the ego was theorized to mature and evolve through stages across the lifespan as a result of a dynamic interaction between the inner self and the outer environment". Loevinger's theory contributes to the delineation of ego development, which goes beyond the fragmentation of trait psychology and looks at personality as a meaningful whole.

See Ken Wilber's Integral Psychology for an extensive curation and comparison of developmental models


Research and References

How the Sciences and Arts Can Provide a New Life To Multifaith Contemplative Spaces


Building a bridge between art gallery spaces and places of spiritual worship, prayer and contemplation.

Great Nest of Spirit - latest graphic.png

Dictionary definitions of Religion (latin religio):

  1. relego, relegěre = assmble anew, gather anew

  2. religo, religāre = to link, connect

Recognition by human beings of a higher principle on which their destiny depends; resulting intellectual and moral attitude

Mapping the internal and external levels of being and consciousness across the world's religions. Huston Smith, with graphic by Brad Reynolds (advisor to this project)

Building on Ken Wilber's books the "Marriage of Sense and Soul": and "The Religion of Tomorrow - A vision for the future of the great traditions"

  • Are we throwing out the aesthetic senses of the divine and sacred (e.g. the rituals, symbols and myths of our traditional religions) with our eagerness for absolute rationality in this age of science?

    • Yes, the traditional myths and scriptures of the great traditions might not be scientifically true, but what universal aesthetic value do they represent?​

  • Art takes us to the 'edges' of human consciousness but how might it play a role in the evolution of consciousness?
  • Is our generation still in the process of making sense of modern / abstract art - and might abstraction point to the universal structures underlying the human experience and spirituality?

  • Can we map the evolution of art, and where might it point us to next? 

This art installation project aims to catalyse social discourse on the topic of perennial wisdom - the insight that all religious and wisdom traditions point to the same fundamental metaphysical truth, or 'deep' structure of the human experience.

Curating symbols, images and narratives from the spectrum of world cultures, religions and wisdom traditions, a "meta" map of the perennial wisdom idea can be brought to life. 

A key map or landscape chosen to guide this project is from Huston Smith (hierarchies of consciousness across inner and outer realms of reality) to invite a conversation on how might individuals and society evolve across such a concept of wisdom.