Artistry, Sensemaking and Dialogue Projects by John Oliver
Art & Consciousness
Part 2
Further "Art & Consciousness" sections under development:
Art and Consciousness Sensemaking Signifiers
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Collective vs. Individual
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Reductionalist analysis (science) vs. (do we have a good, current word for the opposite in our society today?!) Syncretic sensing
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Relational (2nd person) vs. Nature (3rd person)
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Evolution vs. Involution
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Body vs. Mind
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Art and Time
Pre-cognition, pre-sentiment, retro-causality
Eric Wargo:
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The "Long Self"
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The creative process as "dreamwork"
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“Paranormal events of all kinds must be thought of as stories”
Jeff Kripol
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Calen Rayne: "State of Rigpa" = non-conceptual, thought free original wakefulness, where time has no meaning
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Dream Time
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Creative Time
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Rayne Time!
Macro fulcra of art and science
Art As 1st Person Experience, 2nd Person Meaning and 3rd Person Object
Art's Anticipation of Science's Key Paradigm Shifts
Tapping into the Zeitgeist, or "spirit of the age" - Leonard Shlain
How art and human expression has evolved over the past 20,000 years, and what were the fundamental fulcra.
How do we make sense of modern and post-modern art today? What does this point to for the future?!
FULCRUM 1 - Depth Perspective
Giotto's introduction of mathematical perspective around 1300
FULCRUM 4 - SpaceTime
In 1907-1912 Pablo Picasso and George Braque carried Cezanne's insight about the relationship between space and mass to its logical extreme, creating in the process a whole new way to represent visual reality. Cubism fractured the mass of objects into pieces. Cubist artists rearranged these cracked shards so that they appear out of the linear sequence of time against a background of fractured Euclidean space.
FULCRUM 5
1926, Niels Bohr formalized this notion in his theory of complementarity, which stated that light was not either a wave or a particle, but was both a wave and a particle
NEXT FULCRA?!
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Kepler's discovery of the elliptical orbits of the planets 300 years later
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just before Einstein published his first article on relativity theory
NEXT FULCRA?!
1926, Niels Bohr formalized this notion in his theory of complementarity, which stated that light was not either a wave or a particle, but was both a wave and a particleedit me. It's easy.
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created an intellectual climate that made possible
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Further Reflections
The relationship between ethics morals and aesthetics:
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It is generally accepted within anthropological research that ethics and Aesthetics are fundamentally connected. it has therefore come to my mind to try a thought experiment with regards ethics and religious traditions whereby could one Imagine a faith tradition without its artistic representations? when could even push this further to say what came first the art or the conventions of the faith tradition?
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